Celtic Heritage Explained: Saints, Festivals & Traditions
Exploring Celtic saints, ancient festivals, and how traditions connect to jewelry.
Celtic Saints: St. Patrick's Day | St. Brigid's Day | St. Columba
Ancient Festivals: Samhain (Halloween) | Lughnasadh | Mabon
Modern Holiday Connections: Christmas | Celtic Weddings
Also on this site: Celtic Design Explained — knotwork, crosses, and symbolism
Celtic heritage encompasses the saints, festivals, and traditions that reach back more than 1,500 years. When jewelry is created at Walker Metalsmiths, these elements of the past are carried forward in silver and gold. Understanding the stories behind St. Patrick, the meaning of Samhain, the symbolism of the Celtic cross — these add depth to wearing a piece of jewelry.
The Celtic Saints
The Celtic saints who bridge pagan past and Christian present are among the most fascinating figures in Celtic history. St. Patrick, who began his mission to Ireland in 431 A.D., didn't erase the old ways so much as he built upon them. The story of St. Patrick making a cross through a circle on a pagan stone is in itself symbolic of the way things really happened. Celtic Christianity used symbols and ideas that were already familiar to the people of Ireland — and that familiarity is part of why it took root.
St. Patrick (March 17)
There are many legends about St. Patrick, a Christian priest who is widely considered the man who converted Ireland to Christianity. While we may never know which stories are legends and which are based in fact, the meaning behind the stories matters more than their exact origins. One of the most enduring is St. Patrick's use of the shamrock to represent the Holy Trinity: a plant that grows abundantly in Irish fields, pressed into service as a visual lesson in the doctrine of three persons in one God. Another well-known legend holds that St. Patrick used the sign of the cross to bless a carved circle representing the moon goddess, creating the first Celtic cross. To honor St. Patrick's legacy, people wear Celtic pendants and crosses as symbols of their devotion to the faith he brought to Ireland.
Read more about St. Patrick's Day and its Celtic origins →
What is a Shamrock? → — the history and meaning of Ireland's most recognized symbol
Saint Patrick's Breastplate → — a lost masterpiece of Celtic art connected to the saint
St. Brigid (February 1)
The story of Brigid begins where the story of Patrick ends: at the meeting of pagan and Christian tradition. Born to a nobleman and his slave consort, she was sold to a Druid but kept her Christian faith and converted her owner to Christianity. She later returned to her father, who tried to force her into marriage. She resisted, and later, while caring for her dying father, she wove the first St. Brigid's Cross from reeds strewn on the floor. Her father asked what she was making, and she explained her faith. He was so moved that he converted to Christianity on his deathbed. After his death, Brigid became a nun and later an abbess.
Imbolc, the Celtic festival on February 1 marking the first stirrings of spring, was celebrated long before Christianity came to Ireland. Brigid's feast day absorbed it. Today she is remembered as patron saint of metalsmiths, dairy workers, and midwives, which makes St. Brigid's Day a feast day of particular meaning for a jewelry workshop. Each year at Walker Metalsmiths, we observe the tradition of creating a new St. Brigid's Cross design in her honor.
St. Brigid's Cross
Brigid crosses are traditionally woven from rushes on the eve of her feast day and hung over the doorway of the home to protect against evil, fire, and hunger. The cross itself, with its distinctive woven center and four equal arms, is one of the most recognized symbols in Irish Christianity. A lesser-known symbol is the St. Brigid's Flower — the Anemone coronaria, traced to a garden in County Kildare in 1893, near the site of St. Brigid's Church. Explore our St. Brigid's Flower Cross design →
St. Brigid's Flower (Anemone coronaria)
Read more about St. Brigid's Day traditions →
Also: St. Brigid's Day and Imbolc → — the ancient festival of spring and its connection to jewelry
St. Columba (June 9)
Columba, whose name means "Dove of the Church," was born in County Donegal on December 7, 521 A.D. — eighty years after the death of St. Patrick. Of royal lineage, he was educated in monastic schools before founding the monastery on Iona in 563 A.D., setting sail from Ireland with twelve companions. From that small island in the Inner Hebrides, Columba's missions brought Christianity to the Picts of Scotland. Iona became a center of learning and illuminated art. The Book of Kells, that masterpiece of Celtic illumination, was created around 200 years after Columba's death. His love of books is among his most famous attributes: the oldest surviving Irish manuscript, a psalter known as the Cathach, is plausibly his own work.
Read more about St. Columba and the founding of Iona →
Saint's Day Celtic Jewelry
Honor the Celtic saints with handcrafted jewelry celebrating their legacy.
The Celtic Fire Festivals
At the cornerstone of ancient Gaelic traditions lay four seasonal fire festivals. Samhain (October 31), Imbolc (February 1), Beltane (May 1), and Lughnasadh (August 1) — each halfway between a solstice and an equinox — marked the turning points of the agricultural year: when to move cattle to summer pastures, when to harvest, when to store for winter. These four festivals were mandatory in ancient times; texts record that those who refused to celebrate Samhain believed they would be punished by the gods.
Samhain (October 31)
Samhain marked the end of the harvest, when the bounty had been gathered and stored for the cold months. It was believed that the barrier between this world and the other side grew thin at Samhain: ancestors and otherworldly beings might cross over. The ancient Celts would leave offerings out and dress as animals and monsters to dissuade unwanted visits from spectral guests. In the Middle Ages, bonfires were lit near farms in the belief that they warded off harmful creatures. A carved turnip served as the first jack-o'-lantern, the tradition later switching to pumpkins when Irish immigrants brought Samhain to America in the 19th century.
When Christianity came to Ireland, the church adopted its own version of Samhain. Pope Gregory in the 9th century moved it to November 1 and declared it All Saints' Day. October 31 became All Hallows Eve — what is now called Halloween.
Read more about the Celtic origins of Halloween →
Imbolc (February 1)
The festival of spring, now celebrated as St. Brigid's Day. The first stirrings of life, the lambing of ewes, the lengthening days. Brigid crosses are woven from rushes and hung over doorways to bless the coming season.
Lughnasadh (August 1)
The Gaelic harvest festival, celebrated since at least the 15th century, named for the Celtic god of light, Lugh. Games, market fairs, feasts with fresh bread and berries — giving thanks for the bounty of summer.
The Autumn Equinox
The autumnal equinox was observed as a time of second harvest and rest after summer's labor. The name "Mabon" used today for this festival is a modern development, drawing on Welsh mythology — it only began appearing in earnest in the 1970s.
Modern Holidays with Celtic Roots
The most surprising thing about studying Celtic traditions is how many of the holidays celebrated today have their origins in that ancient world. Christmas trees, mistletoe, Halloween jack-o'-lanterns — these are Celtic traditions that survived, adapted, and were sometimes carried across the ocean by Irish and Scottish immigrants. The symbols changed, the practices evolved, but something of the older meaning remained.
Christmas
There are still several Irish and American Christmas traditions rooted in Gaelic culture. Holly, which brings happiness and eternal life, was one of the main plants that flourished during the winter season. The candle in the window on Christmas Eve represents a beacon signifying a safe place for Mary and Joseph to rest — a common sign for priests to know they were welcome. The Laden Table, setting out special objects each with its own significance, prepares the home for the arrival of the holy family. There is also the matter of when to take decorations down: according to Celtic tradition, the official date is January 6th, and taking them down earlier is considered bad luck.
Read more about Celtic Christmas traditions →
Thanksgiving
Gratitude, community, and the marking of seasonal change are Celtic virtues — and they find a natural home in the American Thanksgiving tradition.
There are several Irish autumn festivals that share the same values as Thanksgiving: Michaelmas on October 29th, Samhain on October 31st, and Martinmas on November 11th were all times to celebrate the transition of the seasons and give thanks for the harvest. People would gather and store food for the coming year, connecting in the same ways families do now at Thanksgiving.
Read more about the Celtic influence on Thanksgiving →
Easter
The most common and instantly recognizable symbol of both Christianity and Easter, the Celtic cross connects the resurrection story to a uniquely Celtic form. The central circle, the knotwork, the endless interwoven strand — these give the Christian cross its Celtic character. Our collection of Celtic crosses ranges from austere to elaborate, each one a piece of handcrafted jewelry that carries the symbolism of Easter in a distinctly Celtic way.
Read more about the Celtic symbolism of Easter →
Father's Day
A young man came into Walker Metalsmiths one June, looking for something symbolic of fatherhood — he was expecting to become a father the following week. There was nothing in stock that answered his question. So Stephen Walker designed one. The Father's Knot combines three symbols: an eternity knot at the center, framed by angular arcs suggesting an acorn (strength and potential), with a heart for a father's love. It is a modern piece, rooted in the tradition of Celtic knotwork, given specific meaning by the story behind its creation.
Read more about the Father's Knot →
Mother's Day
While a specific holiday called Mother's Day isn't part of Celtic heritage, various Celtic traditions have long honored the role of women as wives, mothers, and nurturers. St. Brigid, patroness of midwives and mothers, is one expression of this. Imbolc, the February festival that became St. Brigid's Day, is at its heart a celebration of new life and the returning warmth of the year. The connection between Celtic tradition and the honoring of mothers is older than the modern holiday.
Read more about the Celtic origins of Mother's Day →
Celtic Weddings
Celtic wedding, Farmington Castle, County Limerick
A wedding in a strange land, where language and customs are unfamiliar, would still have recognizable elements. The ceremony itself — the vows, the exchange of rings, the feast — these are set by Church and State. But within those parameters, Celtic traditions find their place. Weddings are a time when families look back at their roots and dream about their future. Customs and traditions are one way we express who we are. The Claddagh ring, worn on the right hand with the heart pointing outward, speaks of openness to love; on the left hand, with the heart pointing inward, it tells the world that love has been found. This simple gesture carries a weight of meaning that needs no explanation among those who know the tradition.
Celtic Wedding History & Traditions → — how Celtic customs shape the modern wedding
5 Celtic Traditions for Your Wedding → — practical ways to incorporate Celtic heritage into your ceremony
Wear Celtic Heritage
Each piece created at Walker Metalsmiths connects to 1,500 years of Celtic tradition. From Celtic crosses to Claddagh rings, every design honors the heritage that shapes the modern understanding of Celtic identity.
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About Stephen Walker
Stephen Walker is founder and Master Craftsman at Walker Metalsmiths, handcrafting Celtic jewelry in Andover, NY since 1984. With decades of study in Celtic art history, he brings both scholarly knowledge and hands-on practice to understanding Celtic heritage and symbolism. He is co-author of The Modern History of Celtic Jewellery: 1840-1980 and has a personal connection to Pictish heritage through his Scottish ancestry going back to Aberdeenshire.
© Stephen Walker, Walker Metalsmiths. All rights reserved.