Walker Metalsmiths Blog

John Urban passes the torch; Walker Metalsmiths acquire legacy jewelry designs

John Urban passes the torch; Walker Metalsmiths acquire legacy jewelry designs

John Urban, one of the more creative and innovative jewelers of the Celtic Renaissance, will be honored at an open house reception at Walker Metalsmiths in Andover, NY from 4 to 7PM Thursday, June 9, 2022. Urban, now 76 years old, reached out to me with an offer of his legacy designs, molds, master patterns and copyrights, so that his life's work will continue beyond his own time at the workbench. Urban began making jewelry in Montreal in the 1970s before moving to the tiny village of Brennan's Hill, Quebec on the Gatineau River, north of Ottawa.

Documenting a Legacy

Like so many others who practice Celtic art, John Urban is a great storyteller. In early May 2020, videographer Nick Davis and I visited John and recorded him. We returned with around 350 molds for Urban's designs of interlaced Celtic animals, iron age style spirals and complex knotwork. Urban was well known for his rings, but also made pendants, earrings, and bracelets. Nick brought back several hours of video and many still photos of the artist and his environment.

When John visits Andover for the reception, this process of documenting his legacy will continue. Urban tells, "In 1972 an incompetent garage mechanic intervened to change my life from sculpture to jewelry-making. The mechanic didn't put the correct antifreeze mix in, and during a bitter cold spell, the engine block split. I was left with no means of transporting the large chunks of raw soapstone I needed for the sculptures I was doing." He then shifted to making jewelry with bone and shell material, eventually moving on to precious metals.

A Friendship Forged at Highland Games

John and I first met at the Glengarry Highland Games in Maxville, Ontario in 1998. We became better acquainted through a robust internet forum for Celtic artists which began on June 9, 2000. That day has since been designated the International Day of Celtic Art. It is in observance of Celtic Art Day that this date was chosen for the reception.

Silver and rose gold Tree of Life ring showing John Urban's hallmark alongside Walker's maker's mark

Silver and rose gold Tree of Life ring. Urban's hallmark on the left acknowledges him as the author alongside Walker's mark as the maker.

Pioneers of Celtic Ring Design

As awareness and appreciation for Celtic design increased in the late 20th century, many people imagined finger rings decorated with the interlace design tradition. These were very rare at the time. Both Urban and Walker had early customers who had never seen a Celtic design ring yet had already imagined it. In the 1990s we both were having customers say, "I have been looking for these rings for years. Where have you been?"

The Celtic Art Renaissance

The 1990s saw an explosion of interest and appreciation for Celtic design for both artists and the public. THE WORK OF ANGELS: MASTERPIECES OF CELTIC METALWORK, an exhibition in 1989, renewed enthusiasm for the splendor of the tradition. The national museums of Scotland and Ireland along with the British Museum collaborated to feature the best Celtic jewelry and fine metalwork in their collections. The touring exhibit and accompanying book inspired the audience as well as new makers working with Celtic themes.

George Bain: Father of the Celtic Revival

Another book, CELTIC ART: THE METHODS OF CONSTRUCTION by George Bain was also enjoying success after its re-release in 1973. This how-to textbook by a Scottish art teacher called for a Renaissance of Celtic Art. Originally published in 1951, Bain's timing could not have been much worse. Sales of the earlier editions were very poor. It was several years after his death in 1968 that the Renaissance he had worked for came to be. Bain's book is often credited as a breakthrough of inspiration and instruction for contemporary Celtic artists working today.

The reception is an opportunity to hear John's stories firsthand, with refreshments and an exhibit of his jewelry designs, from 4 to 7 PM at Walker Metalsmiths Celtic Jewelry at 4 South Main Street in the Village of Andover.

Shop the John Urban Collection

John Urban's legacy designs are now available at Walker Metalsmiths—handcrafted with the same care and quality he brought to each original piece.

Shop John Urban Jewelry →

Explore More Celtic Art & History

Stephen Walker, Celtic jewelry artisan

About the Author

Stephen Walker has been handcrafting Celtic jewelry in Andover, NY since 1984. He is honored to continue John Urban's legacy of Celtic design craftsmanship.

Learn more about Stephen & Susan Walker →

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George Bain Hunting Rug at Walker Metalsmiths

George Bain Hunting Rug at Walker Metalsmiths

Visitors to Walker Metalsmiths' showroom on Main Street in Andover, NY are often struck by the beautiful Celtic carpet displayed on the wall. On a recent trip to Scotland, I learned more about the history of this rare and exquisite treasure of Celtic art.

George Bain: Father of the Celtic Renaissance

The Scottish art teacher George Bain (1881-1968) is often considered the father of the Celtic Renaissance. Several years after his retirement from teaching high school art in Kirkcaldy in 1946, he saw the publication of his book, Celtic Art: The Methods of Construction and the launch of the production of several rug designs by the Kidderminster carpet firm of Quayle & Tranter. His work continues to inspire Celtic artists around the world today.

Around twenty years ago I spotted our rug on an internet auction website. We displayed it on the wall in our Fairport, NY store for several years. When we opened our new showroom in Andover in 2018, the Hunting Carpet contributed to the vibe of the restored historical building.

Researching the George Bain Collection

Earlier in 2022 I was invited to join an advisory panel for the George Bain Collection that is under the stewardship of Groam House Museum in Rosemarkie, Easter Ross, Scotland. My relationship with Groam House goes back 25 years and I have visited several times. Since Sue and I were going to be in Scotland for part of our trip to participate in the Ninth International Insular Art Conference in Durham, England in April, I made arrangements to visit again and have a closer look at the collection.

George Bain Collection archives at Groam House Museum

The George Bain Collection archives at Groam House Museum, Scotland.

Dr. Jo Clements, the George Bain Curator and project manager, met with me and allowed me access to many of Bain's letters and original drawings. I made several very interesting discoveries. Regarding the Hunting Carpet, I found the original contract between Bain and the manufacturing firm stating that he would be paid £150 per year for his designs starting in 1951. Correcting for inflation that would be around £5,500 today, or over US $7,000.

The Authenticity Label

There was also correspondence about the authenticity label. On our carpet the label is missing, so this is very interesting as it tells what message George Bain intended the design to convey and his ideas about the general meanings he assumes for common motifs in Celtic art.

Authentic Celtic Art

Guarantee Mark of

THE COLLEGE OF CELTIC STUDIES

Drumnadrochit, Inverness-shire

"Hunting" Carpet

Designed by George Bain

Motifs & Their Meanings

CREATION: man, beast, bird, reptile, fish, insect, plant
WISDOM: reptile
KNOWLEDGE: salmon and sturgeon (past, present, future)
FRIENDSHIP/LOVE: interlacing birds
ETERNITY: continuity of interlacing knotwork and keys
UNITY: interlacing knotwork
SAFEGUARD AGAINST EVIL: counter sunwise spiral swastika
HUNTSMAN: with horn, stag, hind and hounds
DIARMID AND THE BOAR

Two Eras of Celtic History

An interesting point about this very ambitious and complicated composition that I think is noteworthy: the human figures are dressed in the costume of two very different eras, both of which figure heavily into the idealized past.

The kilted figures appear to be from the 17th or 18th century Jacobite period. This period of history was greatly romanticized by the novels of Sir Walter Scott and more recently by the Outlander novels and video series. The older costume of the mounted figures is derivative of the carvings on the early medieval Pictish stones of the 7th to 10th centuries.

Although Bain frequently referenced such foundational masterpieces as the Irish Books of Kells, Durrow and the Northumbrian Lindisfarne Gospels, his observations were based on illustrations from books. It was the elaborately carved Pictish sculpture of his native Northeast Scotland that he had the most direct contact with the actual original artwork.

See the Hunting Rug in Person

Visit our showroom in Andover, NY to see George Bain's Hunting Carpet and explore our collection of handcrafted Celtic jewelry.

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Explore Celtic Art & Symbolism

Stephen Walker, Celtic jewelry artisan

About the Author

Stephen Walker serves on the advisory panel for the George Bain Collection at Groam House Museum. He has been handcrafting Celtic jewelry inspired by the Celtic Renaissance tradition since 1984.

Learn more about Stephen & Susan Walker →

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